|
Rebecca Meanley |
25-11-20 Nov 2025 |
The ruckus |
|
Eilidh Akilade |
25-11-20 Nov 2025 |
Excerpts from a hybrid-fiction |
|
Maeve Dolan |
25-11-20 Nov 2025 |
(shell to ear) |
|
Eilidh McDade |
25-11-20 Nov 2025 |
No One’s Home |
|
Aglaé D. Mouriaux |
25-11-20 Nov 2025 |
Postcards: Glasgow Botanical Gardens – Sunday afternoon – 1 to 4 |
|
Pinzi Lu |
25-11-20 Nov 2025 |
This is not a confession & Split Ends |
|
Jodie Whitchurch |
25-11-20 Nov 2025 |
Moss Body // Pink Moon // 06/25 |
|
Kate Briggs |
25-11-20 Nov 2025 |
All we did was say hello |
|
a.w. Cutler-Gear |
25-11-20 Nov 2025 |
The Making and Unmaking of Worlds |
|
Maria Howard |
25-11-20 Nov 2025 |
George Square |
|
Margaret Sheehan-Gray |
25-11-20 Nov 2025 |
a spat-out silver coin and a perfectly round stone |
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Catherine Grant |
25-11-20 Nov 2025 |
The postroom 2022/2025 |
|
Aglaé D. Mouriaux |
25-11-20 Nov 2025 |
Maman & Embracing Paris |
|
Madeleine Kaye |
25-11-20 Nov 2025 |
A Mermaid Walks Over Vito Acconci’s Seedbed |
|
Francis McKee |
25-11-20 Nov 2025 |
From Five Days of Demons |
|
Laura Haynes |
25-11-20 Nov 2025 |
Expect them to err: an editorial |
|
Esther Hesketh |
25-10-21 Oct 2025 |
On Noor Abed’s Stars at Midday نجوم الضُهر |
|
Emma Mortimer |
25-10-21 Oct 2025 |
On Ayreen Anastas and Renee Gabri’s ‘The Meaning of Everything’ |
|
Toby Üpson |
25-04-28 Apr 2025 |
On Ghayath Almadhoun’s ‘I have brought you a severed hand’ |
|
Maeve Dolan |
25-04-28 Apr 2025 |
On Raed Bawayah’s ‘SafeTrip’ and ‘ID925596611’ |
|
|
25-04-28 Apr 2025 |
With Palestine: Editorial |
|
Percy Miranda Alvarez-Trabado |
24-08-20 Aug 2024 |
CHICKEN FINGERS |
|
Hayley Jane Dawson |
24-08-20 Aug 2024 |
Three Poems |
|
A-J Reynolds |
24-08-20 Aug 2024 |
[synonym] shared |
|
Lisette May Monroe |
24-08-20 Aug 2024 |
If they want us out, they’ll knock |
|
Kiah Endelman Music |
24-08-20 Aug 2024 |
Tradition Builds a Fence |
|
Aly Gear |
24-08-20 Aug 2024 |
Datum Poeisics: Polyvocal Narratology |
|
RS Dennis |
24-08-20 Aug 2024 |
Say More |
|
Olivia Wiles |
24-08-20 Aug 2024 |
Fancy Free |
|
Francis McKee |
24-08-20 Aug 2024 |
Blue Receipt |
|
Kate Wu |
24-08-20 Aug 2024 |
Grandma and Lord Pu |
|
Leah Sinforiani |
24-08-20 Aug 2024 |
SMALLFACES™: A Walk Home in Review |
|
Maria Howard |
24-08-20 Aug 2024 |
Siting / Citing |
|
Carlotta Riechmann |
24-08-20 Aug 2024 |
The Frog Prince |
|
Maria Garay Arriba |
24-08-20 Aug 2024 |
Sun Ra on the Pitch |
|
Rosie O'Grady |
24-08-20 Aug 2024 |
*** |
|
Hilary White |
24-08-20 Aug 2024 |
‘I dig an experimental burrow […]. I creep into my hole’ |
|
Laura Haynes |
24-08-20 Aug 2024 |
Whilst: an editorial |
|
Art Writing |
24-08-19 Aug 2024 |
Soft Shell Radio Broadcast |
|
Lucille Brownrigg |
24-07-01 Jul 2024 |
an invitation |
|
Carlotta Riechmann |
24-07-01 Jul 2024 |
Hot Boots |
|
Hayley Jane Dawson |
24-07-01 Jul 2024 |
Is the Person Ok, Is the Person With Us |
|
Leah Sinforiani |
24-07-01 Jul 2024 |
HOW TO LOOK AFTER THE BUGS IN YOUR BED |
|
Olivia Wiles |
24-07-01 Jul 2024 |
Version 14 |
|
Maeve Dolan |
24-07-01 Jul 2024 |
this is an entrance I promise |
|
Rosie O'Grady |
24-07-01 Jul 2024 |
Contract |
|
RS Dennis |
24-07-01 Jul 2024 |
Performance Studies |
|
Margaret Gray |
24-07-01 Jul 2024 |
Vigil |
|
Kate Wu |
24-07-01 Jul 2024 |
The Sad Oyster |
|
Madeleine Kaye |
24-07-01 Jul 2024 |
SHELL |
|
Laura Haynes |
23-09-12 Sep 2023 |
How to Take Your Leave: an editorial |
|
Esther Draycott |
23-09-12 Sep 2023 |
Janey |
|
Laura Guy |
23-09-12 Sep 2023 |
Dyke Research: Incomplete Index |
|
Gianni Esporas |
23-09-12 Sep 2023 |
Migrating Spores |
|
Alice Hill-Woods |
23-09-12 Sep 2023 |
Opus |
|
Michael Pedersen |
23-09-12 Sep 2023 |
Another Horsedreamer’s Blues |
|
Tawnya Selene Renelle |
23-09-12 Sep 2023 |
|
|
Iona Marshall |
23-09-12 Sep 2023 |
Her Mother’s Daughter |
|
Gianni Esporas |
23-09-12 Sep 2023 |
Migrating Spores |
|
Kate Timney |
23-09-12 Sep 2023 |
Two Beaches |
|
Edited by Maria Howard |
23-09-12 Sep 2023 |
Siting/Citing the Claypits |
|
Silas Lehane |
23-09-12 Sep 2023 |
French Exit |
|
Sebastian Taylor |
23-09-12 Sep 2023 |
Introduction (to CAConrad) |
|
Emma Aars |
23-09-12 Sep 2023 |
Cavalli shit from a dead aunt |
|
Maria Garay Arriba |
23-09-12 Sep 2023 |
In and out and/or in and out |
|
CAConrad |
23-09-12 Sep 2023 |
Landscape |
|
Theo Hynan-Ratcliffe |
23-09-12 Sep 2023 |
With a tendency towards aftermatter |
|
Aurelie Chan Hon Sen |
23-09-12 Sep 2023 |
The Orange Household |
|
Kelcey Flaherty |
23-09-12 Sep 2023 |
Running |
|
Emily Megan Foster |
23-09-12 Sep 2023 |
What a Lovely Flower Our Bones Make |
|
Laura Haynes |
23-09-11 Sep 2023 |
This is not a biography*: Editorial |
|
|
23-09-11 Sep 2023 |
This is not a biography* |
|
|
23-08-03 Aug 2023 |
Tongue & Groove |
|
|
23-03-29 Mar 2023 |
“All we did was say hello”, Kate Briggs |
|
31 Oct - 1 Nov 2022Biographical Fictioning Part 2: The Lyric |
22-10-17 Oct 2022 |
Autumn School Masterclass |
|
Stephen Sutcliffe |
22-08-24 Aug 2022 |
A Brain-Dump Comprising 8 Anecdotes Roughly About Translation |
|
|
22-08-23 Aug 2022 |
The Yellow Paper: Edition 3 |
|
Sara O'Brien |
22-08-23 Aug 2022 |
Porous Selves: A Provisional Index |
|
Kate Briggs |
22-08-23 Aug 2022 |
Round a Corner |
|
Laura Haynes |
22-08-23 Aug 2022 |
Trig Point: an editorial |
|
|
22-08-23 Aug 2022 |
Good Lighting |
|
Sarah Long |
22-08-19 Aug 2022 |
Beat Time |
|
rebekah raine probert |
22-08-19 Aug 2022 |
Astronaut Suit |
|
Ciarán Mac Domhnaill |
22-08-19 Aug 2022 |
The Disneyfication of the Gloryhole |
|
Ben Redhead |
22-08-19 Aug 2022 |
Score for Two Voiced Turntables |
|
Rachel Loughran |
22-08-19 Aug 2022 |
Learning From Our Elders |
|
Lucie McLaughlin |
22-08-19 Aug 2022 |
Parting, Picking |
|
Elizabeth Reeder |
22-08-19 Aug 2022 |
On Surveying |
|
Esraa Shanawaz |
22-08-19 Aug 2022 |
Collective Shock |
|
Donald Butler |
22-08-19 Aug 2022 |
Post-Nut Clarity |
|
Caitlin Merrett King |
22-08-12 Aug 2022 |
Ms Real Gets Indigestion |
|
Alex Bottomley |
22-08-12 Aug 2022 |
Nigella |
|
Rebecca Fortnum |
22-08-12 Aug 2022 |
(Re)membering |
|
Marie-Chantal Hamrock |
22-08-12 Aug 2022 |
Sometimes Her Tracks Are Dim |
|
Paul MendezSusannah Thompson |
22-08-12 Aug 2022 |
A conversation on Rainbow Milk |
|
Clara Raillard |
22-08-12 Aug 2022 |
My Critical Murder Party |
|
Hazel Glass |
22-08-12 Aug 2022 |
Proxyerotics: Notes on Touch |
|
Art Writing |
22-04-26 Apr 2022 |
Soft Shell |
|
Art Writing |
22-04-14 Apr 2022 |
About the Programme |
|
7 - 8 April 2022Biographical Fictioning |
22-03-02 Mar 2022 |
Spring School Masterclass |
|
Art Writing |
21-12-08 Dec 2021 |
BOMBSHELL |
|
Art Writing |
21-10-13 Oct 2021 |
Ligatures: a Soft Shell Radio collaboration |
|
James N. Hutchinson |
21-09-22 Sep 2021 |
|
|
Morgan Williams |
21-09-21 Sep 2021 |
The Song of Babble |
|
Isabella Streffen |
21-09-20 Sep 2021 |
Proposal for Enchantment |
|
Margaret Salmon |
21-09-20 Sep 2021 |
Container |
|
Sara O'Brien |
21-09-20 Sep 2021 |
I Heart |
|
Rachel Harris-Huffman |
21-09-20 Sep 2021 |
A Parallel Fractal |
|
Jessica Higgins |
21-09-20 Sep 2021 |
La |
|
Elaine Y. J. Zheng |
21-09-20 Sep 2021 |
Unrealised |
|
Enxhi Mandija |
21-09-20 Sep 2021 |
If you punctuate yourself as silence |
|
Rodrigo Vaiapraia |
21-09-20 Sep 2021 |
Flying from Prestwick |
|
Maria Howard |
21-09-20 Sep 2021 |
The House of Water |
|
Misa Brzezicki |
21-09-20 Sep 2021 |
‘until’ scores |
|
Jen Martin |
21-09-20 Sep 2021 |
How far away are you? |
|
Timothea Armour |
21-09-20 Sep 2021 |
an allan ramsay |
|
Alice Wadkin |
21-09-20 Sep 2021 |
The Conference |
|
Siuán Ní Dhochtartaigh |
21-09-20 Sep 2021 |
The Grateful Economy |
|
Molly May O'Leary |
21-09-20 Sep 2021 |
Lambent Flame |
|
Melissa McCarthy |
21-09-20 Sep 2021 |
Epidermal Epistemology aboard the Pequod |
|
Megan Rudden |
21-09-20 Sep 2021 |
Not Always Dessert |
|
Daniela Cascella |
21-09-20 Sep 2021 |
My Chimera |
|
Laura Haynes |
21-09-20 Sep 2021 |
On Uncertainty: an editorial |
|
|
21-08-20 Aug 2021 |
The Yellow Paper, Edition 2 |
|
Jennifer Kabat |
21-08-11 Aug 2021 |
Weeds, War, Capitalism and Artistic Collaboration |
|
Art Writing |
20-07-02 Jul 2020 |
Soft Shell Radio |
|
Alice Wadkin |
19-11-30 Nov 2019 |
A Letter to a Friend |
|
Adrien Howard |
19-11-30 Nov 2019 |
and they’ll just play on without you |
|
Megan Rudden |
19-11-30 Nov 2019 |
This isn’t a ghost story but it is a story about ghosts |
|
Jessica Higgins |
19-11-30 Nov 2019 |
Soft Rock / Strange Trouble |
|
Sara O'Brien |
19-11-30 Nov 2019 |
roots of a gro(o)ve |
|
Jen Martin |
19-11-30 Nov 2019 |
Charm Offensive |
|
Maria Howard |
19-11-30 Nov 2019 |
no place: conversations as commons |
|
Camille Cornu |
19-11-30 Nov 2019 |
and suddenly they were everywhere |
|
Laura Edbrook |
19-11-30 Nov 2019 |
Introduction: The Better Life |
|
Timothea Armour |
19-11-30 Nov 2019 |
This is a kind of field recording so– |
|
Laura Edbrook |
19-08-27 Aug 2019 |
As if*: an editorial |
|
Susannah Thompson |
19-08-27 Aug 2019 |
After (After) |
|
Sarah Diviney |
19-08-27 Aug 2019 |
Kathleen |
|
Laurence Figgis |
19-08-27 Aug 2019 |
Paintings with Legs |
|
Kiah Endelman Music |
19-08-27 Aug 2019 |
She had found her world in touch and found it (so) uncomfortable |
|
Calum Sutherland |
19-08-27 Aug 2019 |
Departure of Biography (for Lei Yamabe) |
|
Kate Briggs |
19-08-27 Aug 2019 |
A bit, a piece, a thing, a twin |
|
Daisy Lafarge |
19-08-27 Aug 2019 |
cliché is the sediment of sentiment that collects in my ear |
|
Esther Draycott |
19-08-27 Aug 2019 |
1979, Women’s style in four objects |
|
Alison Scott |
19-08-27 Aug 2019 |
A stain, a sting |
|
Clare Patterson |
19-08-27 Aug 2019 |
By landscape we also mean memory |
|
Rosie Roberts |
19-08-27 Aug 2019 |
Hey Blue, did you ever know, I would do this? |
|
Imogen Harland |
19-08-27 Aug 2019 |
Homepage: Design and Desire |