| Esther Hesketh | 25-10-21 Oct 2025 | On Noor Abed’s Stars at Midday نجوم الضُهر | 
                      
              | Emma Mortimer | 25-10-21 Oct 2025 | On Ayreen Anastas and Renee Gabri’s ‘The Meaning of Everything’ | 
                      
              | Toby Üpson | 25-04-28 Apr 2025 | On Ghayath Almadhoun’s ‘I have brought you a severed hand’ | 
                      
              | Maeve Dolan | 25-04-28 Apr 2025 | On Raed Bawayah’s ‘SafeTrip’ and ‘ID925596611’ | 
                      
              |  | 25-04-28 Apr 2025 | With Palestine: Editorial | 
                      
              | Percy Miranda Alvarez-Trabado | 24-08-20 Aug 2024 | CHICKEN FINGERS | 
                      
              | Hayley Jane Dawson | 24-08-20 Aug 2024 | Three Poems | 
                      
              | A-J Reynolds | 24-08-20 Aug 2024 | [synonym] shared | 
                      
              | Lisette May Monroe | 24-08-20 Aug 2024 | If they want us out, they’ll knock | 
                      
              | Kiah Endelman Music | 24-08-20 Aug 2024 | Tradition Builds a Fence | 
                      
              | Aly Gear | 24-08-20 Aug 2024 | Datum Poeisics: Polyvocal Narratology | 
                      
              | RS Dennis | 24-08-20 Aug 2024 | Say More | 
                      
              | Olivia Wiles | 24-08-20 Aug 2024 | Fancy Free | 
                      
              | Francis McKee | 24-08-20 Aug 2024 | Blue Receipt | 
                      
              | Kate Wu | 24-08-20 Aug 2024 | Grandma and Lord Pu | 
                      
              | Leah Sinforiani | 24-08-20 Aug 2024 | SMALLFACES™: A Walk Home in Review | 
                      
              | Maria Howard | 24-08-20 Aug 2024 | Siting / Citing | 
                      
              | Carlotta Riechmann | 24-08-20 Aug 2024 | The Frog Prince | 
                      
              | Maria Garay Arriba | 24-08-20 Aug 2024 | Sun Ra on the Pitch | 
                      
              | Rosie O'Grady | 24-08-20 Aug 2024 | *** | 
                      
              | Hilary White | 24-08-20 Aug 2024 | ‘I dig an experimental burrow […]. I creep into my hole’ | 
                      
              | Laura Haynes | 24-08-20 Aug 2024 | Whilst: an editorial | 
                      
              | Art Writing | 24-08-19 Aug 2024 | Soft Shell Radio Broadcast | 
                      
              | Lucille Brownrigg | 24-07-01 Jul 2024 | an invitation | 
                      
              | Carlotta Riechmann | 24-07-01 Jul 2024 | Hot Boots | 
                      
              | Hayley Jane Dawson | 24-07-01 Jul 2024 | Is the Person Ok, Is the Person With Us | 
                      
              | Leah Sinforiani | 24-07-01 Jul 2024 | HOW TO LOOK AFTER THE BUGS IN YOUR BED | 
                      
              | Olivia Wiles | 24-07-01 Jul 2024 | Version 14 | 
                      
              | Maeve Dolan | 24-07-01 Jul 2024 | this is an entrance I promise | 
                      
              | Rosie O'Grady | 24-07-01 Jul 2024 | Contract | 
                      
              | RS Dennis | 24-07-01 Jul 2024 | Performance Studies | 
                      
              | Margaret Gray | 24-07-01 Jul 2024 | Vigil | 
                      
              | Kate Wu | 24-07-01 Jul 2024 | The Sad Oyster | 
                      
              | Madeleine Kaye | 24-07-01 Jul 2024 | SHELL | 
                      
              | Laura Haynes | 23-09-12 Sep 2023 | How to Take Your Leave: an editorial | 
                      
              | Esther Draycott | 23-09-12 Sep 2023 | Janey | 
                      
              | Laura Guy | 23-09-12 Sep 2023 | Dyke Research: Incomplete Index | 
                      
              | Gianni Esporas | 23-09-12 Sep 2023 | Migrating Spores | 
                      
              | Alice Hill-Woods | 23-09-12 Sep 2023 | Opus | 
                      
              | Michael Pedersen | 23-09-12 Sep 2023 | Another Horsedreamer’s Blues | 
                      
              | Tawnya Selene Renelle | 23-09-12 Sep 2023 |  | 
                      
              | Iona Marshall | 23-09-12 Sep 2023 | Her Mother’s Daughter | 
                      
              | Gianni Esporas | 23-09-12 Sep 2023 | Migrating Spores | 
                      
              | Kate Timney | 23-09-12 Sep 2023 | Two Beaches | 
                      
              | Edited by Maria Howard | 23-09-12 Sep 2023 | Siting/Citing the Claypits | 
                      
              | Silas Lehane | 23-09-12 Sep 2023 | French Exit | 
                      
              | Sebastian Taylor | 23-09-12 Sep 2023 | Introduction (to CAConrad) | 
                      
              | Emma Aars | 23-09-12 Sep 2023 | Cavalli shit from a dead aunt | 
                      
              | Maria Garay Arriba | 23-09-12 Sep 2023 | In and out and/or in and out | 
                      
              | CAConrad | 23-09-12 Sep 2023 | Landscape | 
                      
              | Theo Hynan-Ratcliffe | 23-09-12 Sep 2023 | With a tendency towards aftermatter | 
                      
              | Aurelie Chan Hon Sen | 23-09-12 Sep 2023 | The Orange Household | 
                      
              | Kelcey Flaherty | 23-09-12 Sep 2023 | Running | 
                      
              | Emily Megan Foster | 23-09-12 Sep 2023 | What a Lovely Flower Our Bones Make | 
                      
              | Laura Haynes | 23-09-11 Sep 2023 | This is not a biography*: Editorial | 
                      
              |  | 23-09-11 Sep 2023 | This is not a biography* | 
                      
              |  | 23-08-03 Aug 2023 | Tongue & Groove | 
                      
              |  | 23-03-29 Mar 2023 | “All we did was say hello”, Kate Briggs | 
                      
              | 31 Oct - 1 Nov 2022Biographical Fictioning Part 2: The Lyric | 22-10-17 Oct 2022 | Autumn School Masterclass | 
                      
              | Stephen Sutcliffe | 22-08-24 Aug 2022 | A Brain-Dump Comprising 8 Anecdotes Roughly About Translation | 
                      
              |  | 22-08-23 Aug 2022 | The Yellow Paper: Edition 3 | 
                      
              | Sara O'Brien | 22-08-23 Aug 2022 | Porous Selves: A Provisional Index | 
                      
              | Kate Briggs | 22-08-23 Aug 2022 | Round a Corner | 
                      
              | Laura Haynes | 22-08-23 Aug 2022 | Trig Point: an editorial | 
                      
              |  | 22-08-23 Aug 2022 | Good Lighting | 
                      
              | Sarah Long | 22-08-19 Aug 2022 | Beat Time | 
                      
              | rebekah raine probert | 22-08-19 Aug 2022 | Astronaut Suit | 
                      
              | Ciarán Mac Domhnaill | 22-08-19 Aug 2022 | The Disneyfication of the Gloryhole | 
                      
              | Ben Redhead | 22-08-19 Aug 2022 | Score for Two Voiced Turntables | 
                      
              | Rachel Loughran | 22-08-19 Aug 2022 | Learning From Our Elders | 
                      
              | Lucie McLaughlin | 22-08-19 Aug 2022 | Parting, Picking | 
                      
              | Elizabeth Reeder | 22-08-19 Aug 2022 | On Surveying | 
                      
              | Esraa Shanawaz | 22-08-19 Aug 2022 | Collective Shock | 
                      
              | Donald Butler | 22-08-19 Aug 2022 | Post-Nut Clarity | 
                      
              | Caitlin Merrett King | 22-08-12 Aug 2022 | Ms Real Gets Indigestion | 
                      
              | Alex Bottomley | 22-08-12 Aug 2022 | Nigella | 
                      
              | Rebecca Fortnum | 22-08-12 Aug 2022 | (Re)membering | 
                      
              | Marie-Chantal Hamrock | 22-08-12 Aug 2022 | Sometimes Her Tracks Are Dim | 
                      
              | Paul MendezSusannah Thompson | 22-08-12 Aug 2022 | A conversation on Rainbow Milk | 
                      
              | Clara Raillard | 22-08-12 Aug 2022 | My Critical Murder Party | 
                      
              | Hazel Glass | 22-08-12 Aug 2022 | Proxyerotics: Notes on Touch | 
                      
              | Art Writing | 22-04-26 Apr 2022 | Soft Shell | 
                      
              | Art Writing | 22-04-14 Apr 2022 | About the Programme | 
                      
              | 7 - 8 April 2022Biographical Fictioning | 22-03-02 Mar 2022 | Spring School Masterclass | 
                      
              | Art Writing | 21-12-08 Dec 2021 | BOMBSHELL | 
                      
              | Art Writing | 21-10-13 Oct 2021 | Ligatures: a Soft Shell Radio collaboration | 
                      
              | James N. Hutchinson | 21-09-22 Sep 2021 |  | 
                      
              | Morgan Williams | 21-09-21 Sep 2021 | The Song of Babble | 
                      
              | Isabella Streffen | 21-09-20 Sep 2021 | Proposal for Enchantment | 
                      
              | Margaret Salmon | 21-09-20 Sep 2021 | Container | 
                      
              | Sara O'Brien | 21-09-20 Sep 2021 | I Heart | 
                      
              | Rachel Harris-Huffman | 21-09-20 Sep 2021 | A Parallel Fractal | 
                      
              | Jessica Higgins | 21-09-20 Sep 2021 | La | 
                      
              | Elaine Y. J. Zheng | 21-09-20 Sep 2021 | Unrealised | 
                      
              | Enxhi Mandija | 21-09-20 Sep 2021 | If you punctuate yourself as silence | 
                      
              | Rodrigo Vaiapraia | 21-09-20 Sep 2021 | Flying from Prestwick | 
                      
              | Maria Howard | 21-09-20 Sep 2021 | The House of Water | 
                      
              | Misa Brzezicki | 21-09-20 Sep 2021 | ‘until’ scores | 
                      
              | Jen Martin | 21-09-20 Sep 2021 | How far away are you? | 
                      
              | Timothea Armour | 21-09-20 Sep 2021 | an allan ramsay | 
                      
              | Alice Wadkin | 21-09-20 Sep 2021 | The Conference | 
                      
              | Siuán Ní Dhochtartaigh | 21-09-20 Sep 2021 | The Grateful Economy | 
                      
              | Molly May O'Leary | 21-09-20 Sep 2021 | Lambent Flame | 
                      
              | Melissa McCarthy | 21-09-20 Sep 2021 | Epidermal Epistemology aboard the Pequod | 
                      
              | Megan Rudden | 21-09-20 Sep 2021 | Not Always Dessert | 
                      
              | Daniela Cascella | 21-09-20 Sep 2021 | My Chimera | 
                      
              | Laura Haynes | 21-09-20 Sep 2021 | On Uncertainty: an editorial | 
                      
              |  | 21-08-20 Aug 2021 | The Yellow Paper, Edition 2 | 
                      
              | Jennifer Kabat | 21-08-11 Aug 2021 | Weeds, War, Capitalism and Artistic Collaboration | 
                      
              | Art Writing | 20-07-02 Jul 2020 | Soft Shell Radio | 
                      
              | Alice Wadkin | 19-11-30 Nov 2019 | A Letter to a Friend | 
                      
              | Adrien Howard | 19-11-30 Nov 2019 | and they’ll just play on without you | 
                      
              | Megan Rudden | 19-11-30 Nov 2019 | This isn’t a ghost story but it is a story about ghosts | 
                      
              | Jessica Higgins | 19-11-30 Nov 2019 | Soft Rock / Strange Trouble | 
                      
              | Sara O'Brien | 19-11-30 Nov 2019 | roots of a gro(o)ve | 
                      
              | Jen Martin | 19-11-30 Nov 2019 | Charm Offensive | 
                      
              | Maria Howard | 19-11-30 Nov 2019 | no place: conversations as commons | 
                      
              | Camille Cornu | 19-11-30 Nov 2019 | and suddenly they were everywhere | 
                      
              | Laura Edbrook | 19-11-30 Nov 2019 | Introduction: The Better Life | 
                      
              | Timothea Armour | 19-11-30 Nov 2019 | This is a kind of field recording so– | 
                      
              | Laura Edbrook | 19-08-27 Aug 2019 | As if*: an editorial | 
                      
              | Susannah Thompson | 19-08-27 Aug 2019 | After (After) | 
                      
              | Sarah Diviney | 19-08-27 Aug 2019 | Kathleen | 
                      
              | Laurence Figgis | 19-08-27 Aug 2019 | Paintings with Legs | 
                      
              | Kiah Endelman Music | 19-08-27 Aug 2019 | She had found her world in touch and found it (so) uncomfortable | 
                      
              | Calum Sutherland | 19-08-27 Aug 2019 | Departure of Biography (for Lei Yamabe) | 
                      
              | Kate Briggs | 19-08-27 Aug 2019 | A bit, a piece, a thing, a twin | 
                      
              | Daisy Lafarge | 19-08-27 Aug 2019 | cliché is the sediment of sentiment that collects in my ear | 
                      
              | Esther Draycott | 19-08-27 Aug 2019 | 1979, Women’s style in four objects | 
                      
              | Alison Scott | 19-08-27 Aug 2019 | A stain, a sting | 
                      
              | Clare Patterson | 19-08-27 Aug 2019 | By landscape we also mean memory | 
                      
              | Rosie Roberts | 19-08-27 Aug 2019 | Hey Blue, did you ever know, I would do this? | 
                      
              | Imogen Harland | 19-08-27 Aug 2019 | Homepage: Design and Desire |