|
Laura Haynes |
Aug 2022 |
Trig Point: an editorial |
|
Kate Briggs |
Aug 2022 |
Round a Corner |
|
Hazel Glass |
Aug 2022 |
Proxyerotics: Notes on Touch |
|
Clara Raillard |
Aug 2022 |
My Critical Murder Party |
|
Sara O'Brien |
Aug 2022 |
Porous Selves: A Provisional Index |
|
Paul MendezSusannah Thompson |
Aug 2022 |
A conversation on Rainbow Milk |
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Marie-Chantal Hamrock |
Aug 2022 |
Sometimes Her Tracks Are Dim |
|
Rebecca Fortnum |
Aug 2022 |
(Re)membering |
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Alex Bottomley |
Aug 2022 |
Nigella |
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Caitlin Merrett King |
Aug 2022 |
Ms Real Gets Indigestion |
|
Donald Butler |
Aug 2022 |
Post-Nut Clarity |
|
Esraa Shanawaz |
Aug 2022 |
Collective Shock |
|
Elizabeth Reeder |
Aug 2022 |
On Surveying |
|
Rachel Loughran |
Aug 2022 |
Learning From Our Elders |
|
Lucie McLaughlin |
Aug 2022 |
Parting, Picking |
|
Ben Redhead |
Aug 2022 |
Score for Two Voiced Turntables |
|
Ciarán Mac Domhnaill |
Aug 2022 |
The Disneyfication of the Gloryhole |
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rebekah raine probert |
Aug 2022 |
Astronaut Suit |
|
Sarah Long |
Aug 2022 |
Beat Time |
|
Stephen Sutcliffe |
Aug 2022 |
A Brain-Dump Comprising 8 Anecdotes Roughly About Translation |